Has art ever been independent? What are the limits of the work of art? The performative lecture “Hydromassage” raises questions and findings about the formation of Aesthetics in Art, with an arbitrary juxtaposition between the conditions of creation and the decisions of Trotsky and Breton in their 1938 manifesto “For an Independent and Revolutionary Art” and the present time.
Το φεστιβάλ οργανώνεται και φιλοξενείται από τις παρακάτω ομάδες και χώρους:
The festival is organised and hosted by the following groups and venues:
* Η οπτική ταυτότητα του καλέσματος επαναχρησιμοποιεί στοιχεία από το έργο «The Naked City» του Guy Debord (1957).
* The visual identity of the open call reuses elements from and the visual language of Guy Debord's "The Naked City" (1957).